Giving a Semi-Hearty Cheer for Semi-Staged Opera + MORE

 

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opera singer

The Official Classical Chart + MORE

Rating:  0 Week ending 17 January 2015       1 New Year�.... More »
opera

Simon Keenlyside: Winterreise, Wigmore Hall, London – review + MORE

Schubert’s song cycle was performed with sensitivity but lacked a satisfying emotional trajectory.... More »
conductors

Requiem for secret women’s language + MORE

THE most anticipated event of this year’s OzAsia Festival was the return appearance of Chinese composer Tan Dun..... More »
conductors

Prom 57 review Daniel Harding's debut makes too much of Mahler + MORE

A rushed performance of Mahler's Second Symphony found neither Harding nor the Swedish Radio Symphony Orchestra at their best"It is an enormous piece and it makes a lot of noise," is how conductor Daniel Harding, not without humour, describes Mahler's "Resurrection" Symphony, a w.... More »
conductors

La Scala opera house introduces five-minute grace period for latecomers + MORE

Performances at Milan opera house to begin five minutes after scheduled time to stop spectators becoming angry with ushersOpera lovers used to have a reason to panic if they were running even a minute late to a performance at La Scala. But now the famous Milan opera house is easing up on its strict .... More »
An American Soldier, Washington National Opera, American Opera Initiative (photo by Scott Suchman)
The Washington National Opera’s American Opera Initiative continues its mission, to present new American operas on American themes. After Approaching Ali in 2013, the program presented its second hour-long opera on Friday night in the Kennedy Center Terrace Theater…

Continue Reading On ionarts.blogspot.com »

Britten Owen Wingrave – made for TV

– classical-iconoclast.blogspot.com

Britten Owen Wingrave - made for TVThis year’s Aldeburgh Music Festival begins with Benjamin Britten’s Owen Wingrave, which Britten himself conducted in the same theatre in November 1970. While the opera was in gestation, the revolutions of 1968 were raging. Paris was brought to a standstill by Danny The Red and student protestors. Russian tanks rolled in to crush the Prague Spring…

Continue Reading On classical-iconoclast.blogspot.com »

An orchestra is a living organism, its members much more than parts of a machine yet combining and interacting with each other to make something greater than their individual selves…

Continue Reading On www.suntimes.com »

Chelsea Opera Group’s Excellent Revival of Rare Verdi

– www.seenandheard-international.com

, Verdi Stiffelio Verdi  Soloists, chorus and orchestra of Chelsea Opera Group, Brad Cohen (conductor). Queen Elizabeth Hall, London, 8.6.2014 (CC)  (concert performance) Stiffelio  – Peter Auty Lina – Nelly Miriciou Jorg – David Soar Stankar – Gerard Quinn Rafaelle di Leuthold – Andrew Rees Dorotea – Sarah Champion Federico Di Frengel – Samuel Smith Verdi’s […]

Continue Reading On www.seenandheard-international.com »

At one time the expression ‘Cheltenham, Symphony’ was used as a disparaging term. Peter Pirie in his The English Musical Renaissance (Victor Gollanz, London, 1979) states that the phrase ‘was coined to describe a work in simple-minded sonata form, simple-minded tonality, and simple-minded faith in a scissors-and-paste method of composition…

Continue Reading On landofllostcontent.blogspot.com »

Last week amounted to a floodgate of new music being opened: from a few new subscription-series pieces per season from major figures and some encouragement to young talent by way of CONTACT! commissions, the Philharmonic and partners performed well over 60 pieces from composers of all stages and many walks of life.

Continue Reading On www.newmusicbox.org »

Bruckner’s Boa (Second Opinion)

– ionarts.blogspot.com

Many thanks to Robert R. Reilly for this review from the Kennedy Center.

Anton Bruckner is a difficult composer and, in a way, an acquired taste. Brahms called Bruckner’s symphonies “boa-constrictors”. Bruckner wrote them with such a sense of vastness and in a time scale so extended and at times seemingly suspended, that the listener needs very large ears to take it all in…

Continue Reading On ionarts.blogspot.com »

Arise, Sir András!

– jessicamusic.blogspot.com

And it’s a knighthood for maestro András Schiff in the Queen’s Birthday Honours. It couldn’t happen to a better guy or a finer artist. Congratulations! More here: http://www.wigmore-hall.org.uk/about-us/news/sir-andr%C3%A1s-schiff

Continue Reading On jessicamusic.blogspot.com »

Giving a Semi-Hearty Cheer for Semi-Staged OperaIn an operatic performance, does paring a work down to the bare score make it more potent, or do theatrical trappings enrich the experience?

Continue Reading On www.nytimes.com »

Warhorses

– irontongue.blogspot.com

Joshua Kosman tells you all about why I have started to skip most revivals of warhorses, in a review of San Francisco Opera’s La Traviata. This revival was planned for Sonya Yoncheva, who withdrew from this and the fall Boheme production on account of pregnancy, and might have been better with her, but Luisotti’s erratic conducting was not predictable, whereas Saimir Pirgu’s weak showing as Alfredo was entirely predictable based on his poor appearance in I Capuletti…

Continue Reading On irontongue.blogspot.com »

A voice to die for – and looks to match

Continue Reading On www.telegraph.co.uk »

Celebrations in Liverpool

– www.planethugill.com

Celebrations in LiverpoolVasily Petrenko & the Royal Liverpool Philharmonic Orchestra© Mark McNultyThe Royal Liverpool Philharmonic’s 2014/15 season will be celebrating both the 175th anniversary of the Founding of the Liverpool Philharmonic, and the anniversaries of Tchaikovsky (175) and Sibeliuis (150). Not only that, but the refurbished Liverpool Philharmonic Hall will reopen in November 2014, cause for celebration indeed…

Continue Reading On www.planethugill.com »

Music Review: ‘Atthis,’ a Searing Monodrama by Opera Cabal and ACMEGeorg Friedrich Haas’s “Atthis,” a monodrama based on texts by Sappho, had its staged premiere at the Kitchen on Thursday.

Continue Reading On www.nytimes.com »

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